The actor said it is a privilege to be part of the entertainment industry at this juncture of time. ''But it wasn't as tough for us to go back and say, 'Let's put all those biggies on hold for a while and pick up these smaller scripts that all of us have.' In general too, our industry is going through a great phase where writers and filmmakers are making excellent films,'' he added. A lot of us were thinking and dreaming big, of making those large scale canvas films just pre pandemic, because of what films like 'Lucifer' did. The transition to the pandemic phase of filming was not as big for us. ''We have always been a content driven industry. His last three projects, ''Bhramam'', ''Cold Case'' and ''Kuruthi'' released digitally to varied success and Prithviraj said transitioning to the OTT space was not difficult for the Malayalam film industry. Watch popular content from the following creators: Shabad Muthu V.P(shabadmuthuvp), antonynithin123(antonynithin1234), Tube Light(.tubelight), Saam(saam007), SHANU (shanushanu1239). Even when the cinema halls were shut last year due to the coronavirus pandemic-induced nationwide lockdown, Prithviraj continued to have releases on various streaming platforms. Discover short videos related to Ennu Ninte Moideen on TikTok. The actor, in his career of nearly 20 years, has worked across Malayalam, Tamil, Hindi and Telugu films. It came through me giving my heart and soul to films and then those projects not working, through breezily walking through a film where I felt that was no effort at all but that film going on to become a smash hit,'' he added. It came through years of extreme highs and disparaging lows, going through all emotions.

''This detachment has come over the years, it wasn't always there. The gift of detachment wasn't with Prithviraj since the beginning of his career, as the actor said he only started to look at his projects objectively after going through his share of dizzying highs and crushing failures. Because all that pressure is happening at a time when I have already moved on from the film,'' he said. Once you have mastered the art of detachment, you shield yourself against that pressure as well. ''I am neither going to wallow in misery in the eventuality of a failure nor painting the town red, partying for a week if it's a success. Prithviraj has witnessed success throughout his career if the early phase was dominated by hits like ''Classmates'' (2006), ''Ayalum Njanum Thammil'', ''Celluloid'' he continued his streak with blockbusters in the last decade with ''Ennu Ninte Moideen'', ''Ezra'' and his directorial debut, ''Lucifer'', starring veteran actor Mohanlal.Д«ut the 39-year-old actor said he is immune to the fate of his films.

If a film of mine is a spectacular success or a disappointing failure, it will not affect me,'' the actor told PTI. ''But the moment I am done working on a film, I mentally start walking away from it. There has never been a film I have finished thinking I didn't give it my best. When I do a film, I throw myself into it more than 100 per cent. ''I am detached with the eventualities of my films. Prithviraj, who has featured in over 100 films since his debut in 2002, says it's crucial to take a step back after the completion of a project to avoid getting sucked into the trap of a film's fate dictating one's state of mind. South star Prithviraj Sukumaran believes learning the art of detachment from his work has helped him in navigating the highs and lows of his career with ease. Be the first to contribute! Just click the 'Edit page' button at the bottom of the page or learn more in the Synopsis submission guide.PTI | Mumbai | Updated: 08-11-2021 12:24 IST | Created: 08-11-2021 12:24 IST It looks like we don't have a Synopsis for this title yet. The film ends with the narrator saying that Kanchanamala survived her lover and lives all these years at Moideen's house as the unmarried widow of Moideen. She takes Kanchanamala to Moideen's house. Kanchanamala attempts to commit suicide, but Moideen's mother holds her back. When he was returning with the passport, Moideen drowns in a boat mishap in the river Iruvazhinjippuzha in July 1982. The lovers then finally decide to go to America, for which Moideen arranges passport for Kanchanamala and himself. Eventually Kanchanmala was caught and beaten mercilessly by her conservative relatives. Both communicated through letters and language they had developed. Moideen shifted ground to being a socio-political activist and Kanchanamala lived in her house under strict restrictions for 22 years. Since inter-religious marriages were a taboo then, the couple had to part ways as their families objected to their love affair. Set in the 1960s and 70s in Mukkam, Kerala, the film tells the tragic love story of Moideen who belongs to a renowned Muslim family and Kanchana Mala who is the daughter of a Hindu Thiyya aristocratic landlord. Based on the real-life love story of Moideen and Kanchanamala, which happened in the 1960s in the backdrop of Calicut.

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